Casio EX-FH25 User Manual (en)
5
Contents
Using Normal Speed Continuous Shutter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
Recording a High-definition Movie. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67
Recording a High Speed Movie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68
Using Prerecord Movie . . . . . . . . . . . . . . . . . . . . . . . .(Prerecord (Movie)) . . 69
Recording a Movie for YouTube . . . . . . . . . . . . . . . . . . . . . . . . (YouTube) . . 71
Turning Optical Zoom On or Off . . . . . . . . . . . . . . . . . . . . (Optical Zoom) . . 72
Recording a High Speed Movie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68
Using Prerecord Movie . . . . . . . . . . . . . . . . . . . . . . . .(Prerecord (Movie)) . . 69
Recording a Movie for YouTube . . . . . . . . . . . . . . . . . . . . . . . . (YouTube) . . 71
Turning Optical Zoom On or Off . . . . . . . . . . . . . . . . . . . . (Optical Zoom) . . 72
Shooting with High Speed Anti Shake . . . . . . . .(High Speed Anti Shake) . . 77
Digitally Correcting for Overexposure
and Underexposure . . . . . . . . . . . . . . . . . . . . . . . . (High Speed Lighting) . . 78
Configuring the Camera to Help You Better Time
Your Shots . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (Lag Correction) . . 79
Isolating Moving Subjects . . . . . . . . . . . . . . . . . . . . . (Multi-motion image) . . 81
Digitally Correcting for Overexposure
and Underexposure . . . . . . . . . . . . . . . . . . . . . . . . (High Speed Lighting) . . 78
Configuring the Camera to Help You Better Time
Your Shots . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (Lag Correction) . . 79
Isolating Moving Subjects . . . . . . . . . . . . . . . . . . . . . (Multi-motion image) . . 81
Shooting with Priority on Subject Faces . . . . (High Speed Best Selection) . . 82
Shooting an Image in Accordance with
Subject Movement . . . . . . . . . . . . . . . . . . . . (Move Out CS/Move In CS) . . 83
Using the Situation-specific CS Scenes . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88
Using the Situation-specific High Speed Movie Scenes . . . . . . . . . . . . . . . . 90
Shooting an Image in Accordance with
Subject Movement . . . . . . . . . . . . . . . . . . . . (Move Out CS/Move In CS) . . 83
Using the Situation-specific CS Scenes . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88
Using the Situation-specific High Speed Movie Scenes . . . . . . . . . . . . . . . . 90